A kino-investigation about spectatorship, a continuous conversation between different kinds of spectators: which one is more cinema: Citizen Kane on a mobile phone or a football game projected in a cinema theatre? What is the cinema of uncertainty? How many kinds of amazement exist? Does fear and belief precede amazement? What are the rights and duties of the spectator? Is the essay film a manifesto against voyeurism? Should spectators be paid? What amazes the spectator of this day and age?

Tradition and AIDS in Africa. What to do when the respect of tradition is at odds with the community's health?

A man that had his family and whole life has been taken away by the friend he trusted the most has returned and is burning for revenge.

The film involves the life of a young man who comes to believe that he has been bestowed supernatural powers. As the story unfolds, this boon eventually leads to a tragedy.

Trapped in an underground pit during a storm, three students from an all-girls school must confront their personal conflicts as they fight to survive.

"Only fifty minutes to go until the end of the world, please head to the check-out!", thus goes the instruction that rings out from the loudspeakers of a Moscow supermarket. When cashier Gulya shuts up the shop and resolves to prepare for the apocalypse, a naked individual appears from amongst the aisles to claim that he has arrived from the future with the task of saving the planet. Originally from Bishkek, Gulya is supposedly the chosen mother of the savior, whom he, Alexander Merkuriev, is to impregnate. The morning after however it soon becomes clear that Alexander ended up in the wrong supermarket with the wrong Gulya. The right Gulya, who is actually from Tashkent, cannot keep the revelation to herself on learning of her destiny, and wastes no time in breaking the story to the media. This in turn proves such a sensation that even the Presidential Administration of Russia gets involved. All involved are soon brought back to earth however when a headmistress from a provincial...

The 20 January 1931 slaying of Julia Wallace remains unsolved, despite an ongoing stream of investigative writers giving an impression that a solution to the crime has been found through a surfeit of working hypotheses.

Adaptation of the novel by Masao Kume.